Ivans
       
     
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The Light from Every Angle in my Studio
       
     
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Dress Form
       
     
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Shadow Cast
       
     
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Ivans
       
     
Ivans

MDF, gesso. 2016

Out of Sight, King Street Station
Aug 4th - 28th 2016

 

water astonishing and difficult altogether makes a meadow and a stroke, Wil Aballe Art Projects
June 22nd - July 24th 2017

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The Light from Every Angle in my Studio
       
     
The Light from Every Angle in my Studio

Steel, paint. 2015

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Dress Form
       
     
Dress Form

Steel, paint. 2015

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Shadow Cast
       
     
Shadow Cast

Hardscrabble Gallery
Curated by Erik Hood
March 8 – April 5, 2015

Shadow Cast
Text by Erik Hood

In the Dream Series, Brown’s use of shapes and mark making of steel, create a very particular texture and effect, with a worked or multiple wash process. Multiple coats of oil paint on the surface of steel, deliver a rich feel, combined with brush strokes, as evidence of the hand in the colouration of the surface. The scale of the works in the exhibition are modest in size, seeking out the traditional sculptural ethos, that el dante point, of balance and form. Conscience of teetering on the edge of monumental works from the high modernist era from the 1960’s and 70’s, Brown bends those ideals of industry and display to fulfill her own autobiographical and representational needs. Sketching by making, Brown’s process has no eraser, no undo. Instead of postproduction, Brown has focused, absolute lines unable to be mended or repaired. The finished products have a spark of chance in their creation. 

The shapes evoke family crests or coats of arms, scratched into the cover of note books. A relationship to the illustrative or decorative aspects of art making is being worked through. Her aim is not to deliver through the icon, instead leaning on the quality of the line to draw the viewer into initially making connections between the individual figures within each work, then as a whole. 


Brown could be seen as a steel butcher, slapping down some small cutlets from a larger industry, composed from the pull of gravity and pressing points. The figures and shapes reveal her escaping allusions; forms appear then recess back into the wall. However she subtracts her figures from the support, a very sharp knife is used.

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